DATE: 4-8-2017,FRIDAY; TIME NEARBY 11:30 , SPOT: SRIMATI S. B. GARDY DEPARTMENT OF ENGLISH BHAVNAGAR [ MAHARAJA KRUSHNAKUMARSINHJI UNIVERSITY BHAVNAGAR, GUJARAT; INDIA] .
HOD OF OUR DEPARTMENT/ OUR PROFESSOR offered us 35 pass of play and name was " YUGPURUSH : MAHATMA NA MAHATMA", i was surprised after getting opportunity; and i was also exited; because the place of play was 'YASHWANTRAI NATYAGRUH'; and it was live drama; i never watch any live drama in my life that was first time when i was going to see a drama sorry A LIVE DRAMA . I don't know about story of drama, about plot, characters , the funniest thing was that actually i also don't know what title of drama signifies? but when i reached at YASHWANTRAI ; curtains are removed ; Drama begins with a huge poster which was located in center of stage ; you can see here ---
- one person was standing on a stage and holds a Mike ; giving basic information of play[Drama]
- THE NAME OF DRAMA IS "YUGPURUSH: MAHATMA NA MAHATMA" -they are going to play this drama in gujarati language
- BASED ON LIFE OF MAHATAMA GANDHIJI -SHRIMAD RAJCHANDRAJI AND ABOUT THEIR RELATIONSHIP,
- IT WAS ALL ABOUT JOURNEY OF MOHANDAS TO MAHATMA
- DIRECTOR : RAJESH JOSHI ; WRITER: UTTAM GADA ; MUSIC WAS GIVEN BY JIGAR .
- PLAY WAS PERFORMED IN 250 CITIES,not only performed in GUJARATI but also performed in many Indian languages like : MARATHI , HINDI ,TAMIL , TELUGU and KANNADA ;play was also performed in our global language ENGLISH.
- THEY GAVE HUGE LIST OF AWARDS ;
The play has completed 750 shows as of AUGUST 2017.
- Awards and Nominations are
- After that excellent information they play audio of our PRIME MINISTER NARENDRA MODI'S SPEECH;
IN which i gathered extreme information about SHRIMAD RAJCHANDRAJI -[ i honestly accept that before that day i was not familiar with name of RAJCHANRAJI OR RAYCHANDJI; GANDHIJI is my inspiration yet i'm not aware about RAYCHANDJI or his relations with GANDHIJI ]
- {SHRIMAD RAJCHANDRAJI
Shrimad Rajchandraji is the epitome of an intense and incessant pursuit of spirituality.
Shrimadji was born on the auspicious day of Kartik Purnima on 9th November, 1867 in Vavania, Gujarat.
A perfect blend of pure knowledge, selfless devotion, and complete detachment, Shrimadji attained self-realisation at the age of 23.
He spent months in seclusion, absorbed in the ecstasy of the Self. His compassion for the world flowed in the form of Shri Atmasiddhi Shastra, a masterpiece in philosophical literature.
On Chaitra Vad Pancham, 9th April 1901, at the age of 33, Shrimadji left His mortal body in Rajkot.
His preachings have been published in an invaluable volume 'Shrimad Rajchandra', which continues to quench the thirst of true seekers.
Through ashrams, temples, and institutions dedicated to Shrimadji around the world, lakhs of devotees are benefiting from His teachings and progressing on the spiritual path.
- RELATIONS BETWEEN GANDHIJI & RAYCHANDJI
According to play{ how Gandhi met Shrimad for the first time after returning from England in 1891. Even after Gandhi moved to South Africa, the meetings still continued not personally but through letters. These letters played a pivotal role in shaping Gandhi’s character. Their honest friendship blossomed and Gandhi proclaimed Shrimad as his spiritual mentor. Shrimad was the one who inherited principles of truth, ahimsa and dharma which were later crystallized as the fundamental tenets of Gandhism. Shrimad left at an early age of 33 and the letters composed by him were then, the only companion of Gandhi. Mahatma Gandhi remained indebted to the teachings of his mentor and now he is celebrated as the global messenger of non-violence.}
- BRIEF SUMMERY OF PLAY IN MY WORDS
I was SHOCKED as well as i was in wonder after watching "AVDHAN" OF KAVIJI ; how is this possible a person could remember 50 words of different languages with in a one time reading ? my mind was totally blanked and i STRONGLY wishes to stand and give a big salute to KAVIJI; and then one by one we are getting knowledge about 'AVDHAN'; we also became familiar with SATYA/TRUTH -AHINSA/NON VIOLENCE - ETC. PLOT OF play was very well designed, they used flashback technique and once again i was shocked when they use wheels in stage performance because i know that it was not easy to handle or control body while performing on wheels . They used full stage during play , they properly portrays images of death , love, care, sacrifices, hope;play also gave spiritual touch to it's audience and there are no words with me to express my feelings ; i think i have only one word UNBELIEVABLE .
- Over all play was highly techniqued , we can see in all images hoe they used full stage ; lightning; also there was an awesome background music ; NARRATOR of whole play was GANDHIJI himself , CHARACTER OF GANDHIJI presented PAST SCENES as well as CURRENT SCENES of play.
- HERE IS PICTURE JOURNEY OF PLAY
1 comment:
its a beautiful and informative post .
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